Northern California Inspirations at the San Jose Museum of Quilts & Textiles

Continuing from the last blog on my visit to the San Jose museum, here’s a small sampling from another exhibit entitled North California Inspirations. The exhibit reflected the visions of twenty Northern California textile artists inspired and influenced by the diverse and visually rich region where they live. Here are four of the quilts that particularly resonated with me.

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Urban Reflections by Ann Sanderson is on the left. Ann hand-dyes her own fabric and likes collecting just the right fabrics to express her ideas. The piece seemed to shimmer and I could see the lights reflecting on a wet surface. On the right, Turbulence by Pat Durban. This mosaic of fabric is covered with tulle overlay and embellished with rocks from the beach, beads, and tiny marbles. One of Pat’s favorite places is Agate Beach in Northern California, where the waves crash against the rocks. She likes to capture this mood in her work.

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The three dimensional effect of Morning Mist, San Joaquin Valley by Sue Siefkin was stunning and Sue’s quilt really captured the atmosphere perfectly. She used hand-dyed and commercial fabrics, and textile paint to create this raw edge, fused collage. Breeze II by Jenny K. Lyon was beautifully composed and executed to create the feeling of the gentle motion of the grass. Jenny used cotton and silk thread for the machine quilting on cotton sateen.

Ros Cross Exhibit at the San Jose Museum of Quilts & Textiles

In late June, I went to California to teach at the Santa Clara Valley Quilt Association. I was fortunate to spend a wonderful afternoon at the San Jose Museum of Quilts & Textiles. The main exhibit was from Visions 2013 and no photographs were allowed. In the entrance hall, where photographs were allowed, there was an interesting exhibit entitled Now and Then: Early Art Quilts by Ros Cross 1973-1976. Broken Quilt, made in 1976 is made with cotton, unbleached cotton muslin, polyester batting and polyurethane. Some of the fabrics are hand tea-dyed and the quilt is machine quilted with a double lined grid in the background.

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As you can see the fragments of quilts are stuffed adding to the visual imagery and making them look like shards of broken pottery. Ros Cross works in a variety of media including sculpture, drawing, painting and monoprinting. Early in her artistic career she moved from her native home of England to America and began working with textiles. She was fascinated with and inspired by the American quilt tradition and her art work evolved and digressed into quilt making, but without reference to traditional quilting techniques. She connected the worlds of contemporary art practice with the more historical quilt tradition and was way ahead of her time.

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Flags, made in 1975 with polyester cotton blend fabric and machine quilting reminds me of mortar boards at a graduation. These three-dimensional black flags cast interesting shadows on the quilt and their appearance changed as you walked past. I find it inspiring and refreshing to see such an innovative approach to quilting and these quilts were made almost forty years ago!

Off to Mongolia!

By the time this blog posts, I will have just arrived in Mongolia to help celebrate the 10th Anniversary of the founding of the Mongolian Quilting Center. We will be hosting the Second International Quilt Show in Mongolia at The Department Store in the center of Ulaanbaatar, 6th-12th August. Several nations will be represented with quilts in the show including, UK, Australia, New Zealand, Holland, Turkey, USA, Japan, and of course Mongolia. I am taking some quilts to exhibit and will also be teaching while I’m there. Here is Tribute to Mongolia which I will be giving as a gift to Selenge Tserendash after the show.

Tribute to Mongolia

This is the largest quilt I have ever made, 103″ x 103″ and occupies a great deal of space in my suitcase! The big Olzii patterns are 20″ blocks and are the same as those used singly in my Gateway to Mongolia quilts (pattern available in my on-line store). This Olzii symbol is prevalent in Mongolia and often painted on the doors of yurts to bring long life and prosperity to the occupants. The border design was copied from a Mongolian blanket, but looks just like a Greek Key pattern.

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Here are two more quilts for the show. Fiesta is one of my template-free Kaleidoscope quilts and I will be teaching this technique to the Mongolian women. Mind Games was made for a guild challenge to make a quilt using black and white prints and 30% of a solid color. The design was inspired by Christine Porter’s book, Tessellation Quilts .

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I am writing this a week before my departure and am in the thick of preparations, planning and packing. It will be an exciting trip and I’ll be posting more blogs on my return.

Bainbridge Quilt Festival

The Bainbridge Island Modern Quilt Guild, a local affiliate of the National Modern Quilt Guild organizes the Bainbridge Quilt Festival. This Festival was initiated in 2013, by Barbara Kirk, owner of Esther’s Fabrics on Bainbridge Island. Barbara was inspired by the joy and beauty of the annual Sister’s Quilt Show held outdoors in Sisters, OR and wanted to put on a similar but smaller venture on Bainbridge. The Guild and several local businesses pitched in with Barbara to make the first show in 2013 a great success. I missed the show as I was away teaching in CA, but I entered two quilts. There are photos of the show on both the websites linked above.

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At our recent 4th July parade, the organizers had a booth promoting the upcoming show which will be on 13th September. The beautiful tree quilt, designed by Carolyn Friedlander and quilted by Marybeth O’Halloran, is being raffled as a fundraiser. If you are in our area, I encourage you to enter quilts and/or to come and see the array of quilts which will be hanging all over Winslow our downtown on Bainbridge. The entry fee is only $10 if you also volunteer to work at the show for just two hours. Festival day also includes a sew-in for American Hero Quilts at the Bainbridge Museum of Art. It should be a fun and festive day.

Suzani Embroidery Exhibit

Ten days ago, I was fortunate to visit the La Conner Quilt & Textile Museum where there was a stunning exhibit of Suzani embroidery from Uzbekistan. These pieces, covered with dense embroidery, are bold and colorful. They are recent acquisitions for the museum from the Miriam Wosk Family Trust. They will be displayed for one more day, so if you are in the La Conner area, get over there to see them!

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This floral example was made in the late 20th century. The word “suzani” is derived from the Persian word for needle.They are traditionally created in the western region of Central Asia, including Uzbekistan, Kazakhstan, Kryrgystan, Tajikistan, and Turkmenistan. They remind me of the beautiful embroidery I saw in Western Mongolia, the Kazakh area of the country. Natural motifs are often the theme. Here is my favorite one with lovely birds.

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This one was made in the first half of the 20th century.The suzani is both decorative and functional. Often they are created when a daughter is born as part of her dowry. Women work together and several suzanis may be presented to a groom on the girl’s wedding day.

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This maroon suzani bedspread was made in the late 20th Century. The stitching in suzanis is dense and includes chain stitch, buttonhole stitch and couching. They sometimes look as though they are woven. The larger ones are often created in smaller panels, two to six depending on the size and the design. The Kazakh pieces I saw in Mongolia were all done with chain stitch and the stitching was not so dense.

Spring Quilt Market in Pittsburgh

Spring Quilt Market was stimulating and exciting. Downtown Pittsburgh is pleasant and the David L. Lawrence Convention Center is spacious and an ideal spot for the 500+ booths. I stayed in the Omni Penn Hotel which is a fine building and the accommodations were very comfortable. My roommate was Catherine Redford who was my host when I lectured and taught at her quilt guild in Naperville just outside Chicago a couple of years ago. It was fun to see her again and catch up with her teaching activities including TV work.

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The logistics of setting up all the booths are staggering and it’s amazing to watch it all going up during the couple of days before the exhibits open. Some of the booths are very elaborate and require all kinds of props and supportive structures. There are fork lift trucks, containers, rolls of carpet and all kinds of activity. The Schoolhouse presentations were during this time and held upstairs where there was a passage with windows overlooking the main exhibit hall. Here it is during set up.

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The Schoolhouse presentations were inspiring. I loved these colorful vibrant quilts by Barbara Persing and Mary Hoover of Fourth and Sixth Designs, all made from Island Batik Fabrics. My presentation on my template-free Kaleidoscope technique was rather late in the day, but was well attended and I was delighted to receive some very positive feedback afterwards. 

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Here’s the QuiltWoman.com booth, Nancy Dill our fearless leader with the worker bees and me at my demo spot. I spent each morning at market in the booth and then had some time in the afternoons to explore the other exhibits.

Kitsap Quilters Guild Mystery Quilt

At our recent Kitsap Quilters Guild show there was a display of mystery quilts. One of our members, Jaxine Anderson coordinated the Judy Hopkins mystery project. The instructions were provided in our monthly newsletter over a period of a few months. What’s fun is the great variety of colorful quilts generated. It’s inspiring to see the results from the different choices of fabrics when everyone used the same pattern. Here are ten examples:

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These quilts were made by guild members Nancy Cave, Jaxine Anderson, Jan King, Andrea Rudman, Charlie Peterson, Sherry Loomis, Keitha Unger, Linda Melcher, Nancy Parrott and MaryAnn Hooker. What a difference the background value makes as well as the use of busy prints versus more solid looking fabrics.

South African Quilt Festival #7, Heritage Quilt

The huge Heritage Quilt of the Boer Republics was on display at the quilt show at Quilt Festival. It was made for the National Women’s War Museum located near the War Memorial in Bloemfontein to honor the role and struggles of South African women during early settlements, the Boer War and post-war recovery (1870’s to 1920’s). This recently completed quilt, which measures 3 meters x 2.5 meters, was begun in 2010. Naomi Moolman (pictured below with the quilt) gathered the historic photographs from the War Museum and from her own collection and had them printed on cotton. The quilt was pieced and quilted by Petro van Rooyen and Magda Kriek of Pretoria.

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Naomi was at the show every day, sharing this amazing piece and telling stories about the women in the photographs. There are three rows of five attic window blocks. The top row is of family photographs during the last 30 years of the nineteenth century and the second row focuses on the brutal Anglo-Boer war when Boer settlements were burnt and pillaged and women and children were sent to prisoner of war camps (two blocks shown below).

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The third row examines the return to homes in the post war period of the 1920’s. Naomi told us about Elizabeth Lotz who’s photo is in the right hand picture at the bottom right. Elizabeth was a nurse in the Cape Town area. During the Boer War, when she was eight years old, the English came to their farm and shot her father. Her mother was told dig a grave and bury him. Then she and her mother were taken away to a prisoner of war camp. Story has it that she was so angry that she kicked and bit a soldier. After the war, she trained as a nurse. When she was offered the position of matron, she accepted on the condition that the nurses be allowed to talk to patients in their native tongue and not just in English. She also insisted that nurses should be trained in Afrikaans as well as English, and she got her way.

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This quilt is an extraordinary testimony to the challenges of every day life and war in a turbulent period of history. My historical knowledge is poor, and this was a wake up call, reminding me how fortunate many of us are to live our comfortable lives without the sorts of struggles that these women endured.

Kitsap Quilters Guild Show – Featured Artist Gladys Schulz

Last weekend my local guild, Kitsap Quilters, held their annual show at the Kitsap Fairgrounds in Silverdale and I enjoyed helping to hang the quilts and working in the kitchen during the show. This was the 28th show and my 22nd with them. The theme this year was Quilts in Bloom. Our guild has around 200 members and embraces a wide range of quilting techniques and styles. In this blog I’ll share pictures of the work of our featured quilter, Gladys Schulz from Bainbridge Island.

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Here is Gladys in her display area with her lovely iris quilt. The large scale one-block wonder quilt is vibrant. Gladys has been quilting for over fifty years, but seriously so for the last 25. She has a long-arm machine and is prolific in her own work as well as quilting for others. She is incredibly generous, donating many quilts every year to a variety of charities.

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She made the attractive Feathered Star quilt to test my Radiant Feathered Star pattern before I published it. Gladys is an accurate piecer and I knew I could rely on her to pick up any glitches in my pattern and make useful suggestions for improvements. Recently, she has begun ice dyeing fabric. She made the background of the floral quilt using this technique. The detailed shot shows how she cut and appliqued flowers onto the hand-dyed background.

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Gladys loves to try new quilting techniques and her machine quilting gets better and better. This magnificent quilt really show cases her quilting skills.  The simple four patch quilt with lattice is so pretty and a great use of the large-scale print.

Latimer Quilt &Textile Center, OR – guided tour

When Nancy Watts and I visited the Latimer Quilt & Textile Center before Ocean Waves Quilt Camp, (see last blog), we discovered that if we gathered together a group of six people, we could have a guided tour through the climate-controlled repository. We decided that we would easily persuade six people at Quilt Camp to come the morning we were all to head for home at the end of Camp, so we went ahead and made the arrangements with the Center. Over 20 people from Camp came so we had two shifts for the tour of the repository where there are over 160 quilts and quilt tops stored along with vintage fabric collections and antique textiles of all kinds.

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The quilts and quilt tops are all stored in acid-free boxes carefully numbered and labelled with a picture for ease of identification. There are a series of huge shelving units that roll on a system of rails and everything is very well organized. They also have a bed with some antique quilts stored flat and we were privy to a bed turning.

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The woven cover dates from the 1850s. This beautiful Crown of Thorns quilt was hand pieced and hand quilted by Ella Jones, aged 16, in 1883. Here’s a spectacular crazy quilt from 1898. The embroidery was wonderful and as we looked, we kept seeing more delightful details.

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This mosaic quilt came from the Lamb family and was made in the 1890s

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Here’s a Pineapple quilt, again from the late 1800’s

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Finally, a beautiful applique quilt with fine hand quilting.

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