Spring Table Runner

I am writing this on the most beautiful sunny day. The colors are saturated and the daffodils are opening up. Here’s a couple of pictures taken in 2011 in the Skagit Valley near the La Conner Quilt Museum where they grow fields and fields of daffodils and they are so pretty at this time of year.

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I love the feel of spring with everything bursting open and the richness of the colors, as well as the warmth of the sun after winter. In the last few days the cherry blossom has opened up – a lovely pink. Here’s my spring table runner inspired by the spring flowers and made from 12 of my Bargello blocks as featured in my book Bargello Quilts with a Twist.

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Kitsap Quilters Guild Mystery Quilt

At our recent Kitsap Quilters Guild show there was a display of mystery quilts. One of our members, Jaxine Anderson coordinated the Judy Hopkins mystery project. The instructions were provided in our monthly newsletter over a period of a few months. What’s fun is the great variety of colorful quilts generated. It’s inspiring to see the results from the different choices of fabrics when everyone used the same pattern. Here are ten examples:

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These quilts were made by guild members Nancy Cave, Jaxine Anderson, Jan King, Andrea Rudman, Charlie Peterson, Sherry Loomis, Keitha Unger, Linda Melcher, Nancy Parrott and MaryAnn Hooker. What a difference the background value makes as well as the use of busy prints versus more solid looking fabrics.

Kitsap Quilters Guild Show – Featured Artist Gladys Schulz

Last weekend my local guild, Kitsap Quilters, held their annual show at the Kitsap Fairgrounds in Silverdale and I enjoyed helping to hang the quilts and working in the kitchen during the show. This was the 28th show and my 22nd with them. The theme this year was Quilts in Bloom. Our guild has around 200 members and embraces a wide range of quilting techniques and styles. In this blog I’ll share pictures of the work of our featured quilter, Gladys Schulz from Bainbridge Island.

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Here is Gladys in her display area with her lovely iris quilt. The large scale one-block wonder quilt is vibrant. Gladys has been quilting for over fifty years, but seriously so for the last 25. She has a long-arm machine and is prolific in her own work as well as quilting for others. She is incredibly generous, donating many quilts every year to a variety of charities.

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She made the attractive Feathered Star quilt to test my Radiant Feathered Star pattern before I published it. Gladys is an accurate piecer and I knew I could rely on her to pick up any glitches in my pattern and make useful suggestions for improvements. Recently, she has begun ice dyeing fabric. She made the background of the floral quilt using this technique. The detailed shot shows how she cut and appliqued flowers onto the hand-dyed background.

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Gladys loves to try new quilting techniques and her machine quilting gets better and better. This magnificent quilt really show cases her quilting skills.  The simple four patch quilt with lattice is so pretty and a great use of the large-scale print.

Latimer Quilt &Textile Center, OR – guided tour

When Nancy Watts and I visited the Latimer Quilt & Textile Center before Ocean Waves Quilt Camp, (see last blog), we discovered that if we gathered together a group of six people, we could have a guided tour through the climate-controlled repository. We decided that we would easily persuade six people at Quilt Camp to come the morning we were all to head for home at the end of Camp, so we went ahead and made the arrangements with the Center. Over 20 people from Camp came so we had two shifts for the tour of the repository where there are over 160 quilts and quilt tops stored along with vintage fabric collections and antique textiles of all kinds.

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The quilts and quilt tops are all stored in acid-free boxes carefully numbered and labelled with a picture for ease of identification. There are a series of huge shelving units that roll on a system of rails and everything is very well organized. They also have a bed with some antique quilts stored flat and we were privy to a bed turning.

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The woven cover dates from the 1850s. This beautiful Crown of Thorns quilt was hand pieced and hand quilted by Ella Jones, aged 16, in 1883. Here’s a spectacular crazy quilt from 1898. The embroidery was wonderful and as we looked, we kept seeing more delightful details.

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This mosaic quilt came from the Lamb family and was made in the 1890s

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Here’s a Pineapple quilt, again from the late 1800’s

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Finally, a beautiful applique quilt with fine hand quilting.

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Latimer Quilt & Textile Center, Tillamook, OR

I was fortunate to visit the Latimer Quilt & Textile Center near Tillamook when I went to teach at Ocean Waves Quilt Retreat on the OR coast. This is a gem of a place and a great quilting resource. Visiting should be a high priority if you are in the area.

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The Center began as a school, built in 1900 on a parcel of land donated by James and Permelia Latimer in 1892. The current building dating from the 1930s, became a maintenance repair facility in 1959. Thirty years later the property reverted to the Latimer family who then donated it to the Tillamook County Pioneer Museum Foundation in memory of James and Permelia. Claire Fairfield, an employee of the Museum, saw the need for a textile center in the Pacific Northwest; a place for artisans to demonstrate, teach and produce their crafts. The Center has become this place and hosts many craft activities. There is a large room devoted to spinning and weaving.

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A sizable area houses special visiting exhibits including quilts and other fiber arts. When we were there the Whidbey Island Surface Design Association had an eclectic show entitled Life on the Edge which included some facinating 3-d pieces. In another large room that can be used for workshops, antique quilts from the permanent collection are displayed on the walls. The lovely Lone Star (c.1930) was donated by Al Griffin and the Sunbonnet Sue (c.1935) donated by Jo Kincade.

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Also in this room were wooden cabinets with display drawers containing all kinds of interesting quilt blocks, embroidery, beading, lace work, buttons and more.

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The beautiful 2013 raffle quilt was on display. The “Oregon Quilt” was made by volunteers at the Latimer Center and machine quilted by Mary Torrey.

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The Center also has an impressive research library with an extensive collection of books and patterns available for on-site research. Then there’s the store to help boost Museum funds with all kinds of hand crafted items and more.

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If you have a group of six or more, you can go on an organized tour by appointment to see the climate-controlled repository for the permanent collection items not on display. More on this in my next blog.

Mongolian Quilting Center

My association with Selenge Tserendash and women at the Mongolian Quilting Center continues and I raise funds from donations and selling their products when I travel to teach. See the Mongolian pages on this website. Earlier this month, we participated in Christmas in the Country on Bainbridge Island. This event has several locations each with 10-15 booths and is very popular. St. Barnabas Church hosted Christmas in the Country for the first time this year, and since they are also the guardians of our Mongolian funds, it made perfect sense to have our booth there.

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Here’s the booth and a close-up of the beautiful silver unicorn silk hanging. It is thrilling and inspiring for me to see the level to which the Mongolian women have taken their quilting and product development. Nine years have elapsed since my first trip to Mongolia when I taught them very basic quilting techniques. Since then several other volunteers have taught too and the women have become increasingly creative and resourceful. They now have a designer at the Center, a manager, three seamstresses and five part-time teachers. As many as 35 women do piece work at home, such as the silk blocks, which they bring to the Center for the seamstresses to assemble into the products.

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I encouraged them to work with silk which the tourists love. Selenge discovered that the garment factory making silk deels, (tunics worn by Mongolians), was burning their leftover scraps or sending them to the land fill. At first they gave her their scraps, but then began charging a small amount after they saw the beautiful items the women were making. The women use even the smallest scraps to make crazy patchwork cosmetic bags, change purses and Log Cabin blocks for long-handled denim purses. Our top selling items were the felted slippers, the silk squares with fan or Twisted Log Cabin blocks and the Log Cabin denim purses. Total takings for the 3-day event were $1,460. The silk wall hangings shown below were designed and made at the Center. I think they are absolutely beautiful and I’m so proud of Selenge Tserendash and the Mongolian women.

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It was a particularly busy weekend for me as in addition to running the booth, I sang in three concerts and two Sunday services. I couldn’t have managed without John and Nancy Watts from Portland who helped me set up and kept everything going when I couldn’t be there. We became good friends after Nancy (Watts) saw me talking about the Mongolia project on the Nancy’s Corner part of Sewing with Nancy (Nancy Zieman). Nancy and John were interested in going to Mongolia and came to visit me to get more information.Two years ago they made their trip and Nancy taught at the Mongolian Quilting Center in Ulaanbaatar. Last year, Nancy and I coordinated the special exhibit of Mongolian quilts at the Sisters Quilt Show in OR and hosted Selenge Tserendash from Mongolia. Nancy came with me to Quilt Market in Portland this spring and we ran into Nancy Zieman who was amazed to hear this story. In September, John and Nancy went to Wisconsin and were interviewed by Nancy Zieman on Nancy’s Corner. The program has just been aired.  Click here to see this video, which will work for as Wisconsin Public Television keep it out there.

 

International Quilt Market, Houston 2013, #10

A special exhibit I particularly enjoyed, was In the American Tradition. This is an annual exhibit which seeks to honor the country’s rich quiltmaking heritage. All the quilts displayed are clearly based on a documented 20th century or earlier American design or pattern. These wonderful traditional patterns have stood the test of time and are still absolutely beautiful. I find myself returning to them again and again, especially the star patterns. Here’s a selection.

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A gorgeous Lone Star, Texas Gold by Vickie Owen from Texas,was made using a pattern reproduced from an antique quilt in an old quilt magazine. The navy and black in combination with the cheddar orange makes this star striking.

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Feathers and Stars Abound by Zvia Strahilevitz-Klein from Israel is lovely combination of stars in such pretty soft colors. Her design source was Judy Rothermel’s Ohio Star Medallion quilt and Marsha McCloskey’s Feathered Stars. She resized the blocks and center Feathered Star to fit into this medallion.

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Last Summer’s Leftovers is a beautiful hand-quilted scrappy quilt made by Rahna Summerlin from Florida. The design source is a Railroad Crossing quilt in Sharon Newman’s Treasures from Yesteryear Book 2. Rahna writes, “I am constantly inspired by antique quilts and am infatuated with scrap quilts from the early mid 1900’s.” This quilt was made with leftover triangles from a prior project.

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Grandmother Eulah’s Flower Garden was hand pieced by Nancy Davis-Altman from Washington and machine quilted by Lin Clark. Nancy’s grandmother, Eulah Davis was her inspiration. She gave Nancy a quilt for a wedding present and it was always a favorite. Nancy’s grandfather used to call Eulah his “Little Petunia”, so the Grandmothers Flower Garden seemed a fitting pattern for this quilt made to honor her.

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Connecticut comes to Spring made by Minay Sirois of Spring, Texas is amazing in its simplicity and beauty. The design source is Chinz One Patch (c1820-1840) made by the Hollister Family of Washington, Connecticut. Minay saw a picture of this quilt in the book Quilts and Quiltmakers: Covering Connecticut. What makes this simple one-patch quilt with sashing so stunning is the fabric choices. It took Minay seven years to find just the right fabrics to recreate the effect. It is very successful and an absolutely gorgeous hand quilted quilt.

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Over the years I’ve admired the work of Libby Lehman and was excited when she visited my local quilt guild to lecture and teach a workshop a few years ago. Libby is known for her exuberant colorful quilts and her brilliant use of thread in a playful way that adds an additional dimension to her work. She has traveled all over the world inspiring quilters with her creativity and good humor. Unfortunately, Libby suffered an aneurysm about six months ago which burst in her brain. She had two major surgeries followed by a stroke and is now residing in a senior retirement center. Her contribution to the quilting world was honored in a special exhibit.

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Here’s a large white board, a We Miss You sign, where quilt show attendees could write messages for Libby and send their get well wishes. The quilt on the right is one of Libby’s well-known pieces made in 1994, Tidewaters. Below are examples of her recent work from 2012.

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Watch Your Step: Fall and Watch Your Step II: Mushrooms

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Watch Your Step V: Back Porch – full and detailed shots.

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Here’s Libby’s humorous self-portrait, also from 2012. To see more examples of Libby’s work, check out her website.

International Quilt Market, Houston 2013 #8

Every year Hoffman Fabrics organizes a challenge with a theme fabric. Contestants make small quilts or dolls using the fabric in any way they like as long as it is recognizable. It’s always fun to see the creativity and the different ways people are inspired by the theme fabric. The fabric is shown on the edge of the sign. Here’s the doll collection too.

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I love the variety of interpretations as shown by the examples below. The Hoffman Challenge exhibit travels extensively and you can make arrangements with Hoffman to display their quilts at your local quilt show.

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Willow II by Gayle Shelton, TX is a beautiful tree nicely set with loops around the outer edge of the quilt. Hexifun by Shirlee Carter, FL is a mini One-block Wonder – such pretty hexagons created from the theme fabric and the attractive addition of ribbon around the edges.

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Paradise Cove by Benita Goodheart, OR, was awarded Best First Time Entry Applique. It reminds of a Vincent van Gogh impressionistic painting. The King and I by Anna Macaluso, NJ won First Place Mixed. The king’s face was beautifully shaded and quilted creating great perspective. It was stunning.

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The Roswells from the Planet Quiltron by Alice Zimmerman, NY, made me laugh. It was such a different take on the fabric and pure fun. Ribbon Candy by Cyndi McChesney, CO was beautifully executed. Cyndi’s color gradations in the Twisted Log Cabin blocks give the quilt depth and a wonderful three dimensional quality.

International Quilt Market, Houston 2013, #7

The IQA judged show was a feast for the eyes with so many wonderful quilts. The award winners were not announced until after Market, but all the quilts were on display. It’s hard to select my highlights, but here are a variety that particularly appealed to me.

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These two quilts are both original designs, hand appliqued and hand quilted and the workmanship is outstanding. On the left is Crest of Tulip, by Takido Fusako, Japan. Takido writes, “A spring flower, the tulip blooms proudly towards the sky. We can get energy from it as it flutters in the wind. I made the tulip like a crest in the oval using trapunto.” Linda Roy, TN made Primitive Web. I’ve enjoyed seeing Linda’s beautiful award-winning work over the years since were were both beginning quilters when we lived in Arkansas and were taught to applique by Irma Gail Hatcher. The design for this quilt was inspired by an antique all-hexagon quilt. The feathers are embroidered and the stuffed Yo-yos in the flowers add dimension.

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These two hexagon quilts are both hand pieced using the English paper-piecing method and are both machine quilted. They are awesome. Roo Garden was made by Vicki Bohnhoft, AZ. Vicki writes, “Returning to Australia in 2009, I began collecting Australian Aboriginal fabrics. On our cruise, I became addicted to 3/4″ hexagons, eventually making over 5,000. This contemporary Grandmother’s Flower Garden was designed in five weeks using 4,125 pieces depicting a running kangaroo, rays of dawn and flowers everywhere.” Together in a Friendship World was made by Geta Grama and Quilt.Ro Group, Rasnov, Brasnov, Romania. I was blown away when I saw this hexagon globe and returned to the quilt several times to look in more detail. I think the 3-d effect is amazing.

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I love star quilts and the Feathered Star is a favorite. This gorgeous quilt, Celebration of Feathered Stars & Wildflowers, was a collaboration by 22 members of the Veriens Quilt Guild, Frederickson, TX and is their 2014 raffle quilt. Helen Rode, Jan Graetzel, Joanie Wyall and Colleen Zabrenick masterminded and coordinated the project and the design was inspired by an antique quilt.

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Here’s another absolutely gorgeous Feathered Star with Prairie Points in all the feathers and embellished with thousands of Swarovski pearls. A Truly Feathered Star was made by Karen Sivert, NC. Karen writes, ” I believe quilt making is a journey, one that teaches us much. Sometimes we take detours, hit bumps in the road, even construction zones! The trapunto beading and Prairie Points all lend dimension to the quilt, but to achieve them, I had to learn new ways to get to my destination.”

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The picture doesn’t do Jack by Sandy Curran, VA, justice. Sandy concentrates her work on the emotion and expression in eyes, both human and animal. Jack Nicholson has such expressive eyes and this quilt was extraordinary in the likeness and the 3-d effect. I just loved these two parrots, Ricky and Lucy, by Nancy Sterrett Martin and Karen Sistek, KY. They are painted on silk and brought to life with the quilting stitches. The design is based on a various photos of macaws and parrots.