My new pad – moved and settling nicely

On the 4th of June, I moved house and I have pictures to share with you. I’m still sorting and unpacking, but every day it gets better and better. The house, which I’m renting from a friend, is only about four miles from the old place. It’s close to Wilkes Elementary School on the north end of Bainbridge Island in a sunny location with a lovely garden.

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The whole process of moving is a huge upheaval, and it certainly gives you pause to ponder especially when you need to downsize. Just how much of the stuff that you’ve accumulated, do you really want to move to a new place? If it’s been sitting in a box untouched for the last 13 years at your old house, what are the chances that you are still interested in it or that you would miss it if you no longer had it? I’ve been trying to give myself permission to let go of things that I really don’t want, but I’ve been hanging onto for years for a variety of reasons. I know that my creativity can be stifled by clutter and I’m making efforts to reduce it all. I didn’t have time to do a good job of this before moving so I’m ditching stuff as I unpack.

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I’m enjoying making my new home and putting things where I want them. I waited about two weeks before hanging any artwork on the walls and for several days I had all the pieces spread out in the living room so that I could see them, and decide where to put them. It was a kind of auditioning process, not unlike the way in which I make decisions in designing my quilts. Each day, I knew with certainty where various pictures should be hung and I gradually put them up over a period of about a week. These two Mongolian pieces made by women at the Mongolian Quilting Center, are hanging the long passage way. The blue table runner has twisted Log Cabin blocks made from silk scraps discarded by a clothing manufacturer in Ulaanbaatar. The other one, A Day in Mongolia, is felt appliqué and depicts a traditional Mongolian scene, the animals and many items important in Mongolian life and traditions.

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In my old house, I had a spacious studio. Here, it is split between three small rooms, one of which is an office. The office is great, but I haven’t had any time to quilt in the studio room. Initially I thought my sewing table was too large and that I would have to store it in the garage. I was excited when I worked out how to arrange the room so that it would fit, and by removing the bi-fold door of the cupboard, I could also fit my cutting table into the same room. The cutting table is not fully extended, but there is plenty of space for cutting and in my old studio, the end of the table was just used as a dumping ground.

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Across the passage there is another small room which I use for storage. I have a full-sized bed to store all my quilts flat, there are bookcases on two walls and my IKEA fabric storage shelves on another wall. Upstairs in the spare bedroom, I have my smaller IKEA unit for more fabric. I tried to sort my fabric when I packed and gave several boxes away to a friend whose church group makes quilts to send to Africa. The criterion I used was, “if I saw this fabric in a sale, would I buy it?” If the answer was “no”, then the fabric was put in a box to be given away. I still have too much and should really have given away all the “maybes” too. Another purge can be a project for this coming winter.

Suzani Embroidery Exhibit

Ten days ago, I was fortunate to visit the La Conner Quilt & Textile Museum where there was a stunning exhibit of Suzani embroidery from Uzbekistan. These pieces, covered with dense embroidery, are bold and colorful. They are recent acquisitions for the museum from the Miriam Wosk Family Trust. They will be displayed for one more day, so if you are in the La Conner area, get over there to see them!

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This floral example was made in the late 20th century. The word “suzani” is derived from the Persian word for needle.They are traditionally created in the western region of Central Asia, including Uzbekistan, Kazakhstan, Kryrgystan, Tajikistan, and Turkmenistan. They remind me of the beautiful embroidery I saw in Western Mongolia, the Kazakh area of the country. Natural motifs are often the theme. Here is my favorite one with lovely birds.

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This one was made in the first half of the 20th century.The suzani is both decorative and functional. Often they are created when a daughter is born as part of her dowry. Women work together and several suzanis may be presented to a groom on the girl’s wedding day.

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This maroon suzani bedspread was made in the late 20th Century. The stitching in suzanis is dense and includes chain stitch, buttonhole stitch and couching. They sometimes look as though they are woven. The larger ones are often created in smaller panels, two to six depending on the size and the design. The Kazakh pieces I saw in Mongolia were all done with chain stitch and the stitching was not so dense.

Shop Hop at Quilt Revolution, Gig Harbor, WA

Yesterday I had a long but enjoyable day at Quilt Revolution in Gig Harbor demonstrating my template-free Kaleidoscope and Bargello block techniques during the Western WA Shop Hop. This annual event excites quilters, not just from Western WA, and they drive insane distances to take in as many participating quilt shops as possible during the five days

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There are in the region of 55 quilt shops from the Canadian border down to the Oregon border, and each offers a different block for the Shop Hop quilt. Quilters receive a small baggie with the block pattern and fabric. There is a theme fabric with coordinating prints which all the shops use. Here’s the fabric and a poster which includes all the blocks from the shops.

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Then of course, the quilters have the opportunity to shop and watch demonstrations. At Quilt Revolution, they had a wonderful exhibit of Shop Hop quilts from previous years and the quilters really enjoyed reminiscing with many bemoaning that they hadn’t finished their quilts! However, this doesn’t deter them from doing the Shop Hop year after year!  There were at least eight quilts displayed and they were all made by the same quilter, Becky Curneen. The one in the picture is from 2011 and was quilted by Rose Flannigan. There were 55 participating shops in 2011 and Becky visited them all. She added one more block to make a total of 56. The blocks are 6-1/2″ and the quilt is large. The other photo shows my demo area before the doors opened. I stayed busy all day with scarcely a dull moment and it was fun.

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Spring Quilt Market in Pittsburgh

Spring Quilt Market was stimulating and exciting. Downtown Pittsburgh is pleasant and the David L. Lawrence Convention Center is spacious and an ideal spot for the 500+ booths. I stayed in the Omni Penn Hotel which is a fine building and the accommodations were very comfortable. My roommate was Catherine Redford who was my host when I lectured and taught at her quilt guild in Naperville just outside Chicago a couple of years ago. It was fun to see her again and catch up with her teaching activities including TV work.

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The logistics of setting up all the booths are staggering and it’s amazing to watch it all going up during the couple of days before the exhibits open. Some of the booths are very elaborate and require all kinds of props and supportive structures. There are fork lift trucks, containers, rolls of carpet and all kinds of activity. The Schoolhouse presentations were during this time and held upstairs where there was a passage with windows overlooking the main exhibit hall. Here it is during set up.

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The Schoolhouse presentations were inspiring. I loved these colorful vibrant quilts by Barbara Persing and Mary Hoover of Fourth and Sixth Designs, all made from Island Batik Fabrics. My presentation on my template-free Kaleidoscope technique was rather late in the day, but was well attended and I was delighted to receive some very positive feedback afterwards. 

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Here’s the QuiltWoman.com booth, Nancy Dill our fearless leader with the worker bees and me at my demo spot. I spent each morning at market in the booth and then had some time in the afternoons to explore the other exhibits.

Donation quilts in TX

At the end of April, I traveled to TX to teach at the New Braunfels Area Quilt Guild. There was a beautiful sampler raffle quilt displayed at the meeting in the spring colors of blue and yellow.This was made by guild members of the Hill Country Quilt Guild of Kerrville. I love the array of different blocks both pieced and appliqued and how well they are all pulled together with the sashing in a variety of shades of blue.

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Here’s another opportunity quilt that I saw when I visited the quilt shop, One Quilt Place in Fredericksburg in the Texas Hill Country. This gorgeous Feathered Star quilt in reds, yellows and greens is completed with an exquisite appliqued border. It was an award winner at the last International Quilt Association show in Houston, taking first place in the group category. The quilt was made by members of the Vereins Quilt Guild in TX.

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I’m a softy when it comes to these quilts and I always support the guilds who make them. I’ve never won one, but I really appreciate all the effort that goes into making them. They often rise well above the average quilt made by individual guild members, not just in design, but also in workmanship. I encourage you to donate to these projects whenever you have the opportunity.

Home Stay in Puyallup

When I taught for the Crazy Quilters in Federal Way, I was fortunate to have a delightful overnight stay with one of the guild members, Eileen Peacher, in Puyallup. It’s always inspiring being with quilters and seeing their lovely quilts. Eileen has a long-arm business. Here she is in her long-arm room which was carved out of the back of her garage.

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Her home was decorated with her vibrant quilts. This large quilt with funky whimsical house blocks hung on a really tall wall in her dining room and was such a bright and cheerful accent.

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The living room was decked with this rich Bargello quilt. I love how Eileen continued some of the Bargello piecing out to the sides adding fluidity to the design rather than just simply framing it with solid borders . Hanging in the upstairs hall was this rather more muted quilt with nice color and value transitions and the light and dark thin sliver stars giving contrast with the background fabrics.

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Thank you Eileen for a very enjoyable stay and for allowing me to share your beautiful quilts.

Decorating with quilts on beds

In my last blog I shared some wall quilts that are displayed in my house for staging for sale. Here are pictures showing the quilts that I put on the beds. The first ones show the spare bedroom with my  Kaleidoscope quilt. Large Hadron Colliderscope was made using my template-free kaleidoscope method. I enlarged the pattern to make this 36 block quilt and had fun designing the layout.

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The master bedroom is graced with Trip Around the Garden. This quilt is featured in my book, Traditional Quilts with a Twist. I made several quilts based on the Trip-Around-the-World theme, plugging pieced blocks into the the traditional layout of squares to reproduce the on-point patterns of color. This one was made from simple 6″ blocks – 9-patch, Bowtie, Sawtooth Star, Shoofly and Ohio Star separated with the floral sashing. I used a different cornerstones in the sashing to carry the colors through and help the overall design.

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In my son’s bedroom, I went with Retro-Radiation, a quilt made from my template-free Op-Art Kaleidoscope blocks. There are 16 blocks made from assorted black and white fabrics with red and yellow added to the mix. As you can tell, I like piano keys borders!

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Decorating with quilts

Once again, my apologies for the time that has elapsed between blogs. Work preparing our house for sale has been intense and all time consuming. I wanted to show case some of my quilts in the staging. It’s a large house with several blank walls perfect for displaying quilts. Here are some photos of the rooms with quilts and closer shots of the quilts themselves.

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This is the family room adjacent to the kitchen and breakfast room. Wonders of the Deep is one of my Kaleidoscopic Pinwheels quilts. I adapted Bethany Reynold’s Stack ‘n Whack technique so that the Pinwheels float on the background. This is a fail safe method. The blocks may be trimmed so that they are all exactly the same size and the Pinwheel points remain intact and 1/2″ from the edges of the blocks. The Pinwheels stand out better surrounded by the background and the blocks look sharp. I teach a one-day class on this method.

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Here’s my whimsical applique quilt, Helios Searches for the Perfect stem, in the breakfast room. I hand appliqued the flowers, ruched the stems, and hand quilted the blue background. The substrate, leaves and flowers are machine quilted. The dragonfly is a finger puppet that I purchased from the Seattle Art Museum.

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My other appliqued quilt, Toto’s Garden, hangs in the newly decorated powder room. This was made for a special exhibit at Houston about ten years ago, entitled “Quilts for the Young at Heart” and sponsored by David Textiles. The fabrics were provided by David Textiles and include their Wizard of Oz prints. Toto is enjoying the garden on his skate board and has acquired various Oz artifacts such as Dorothy’s slipper and Tin Man’s axe!

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Tuscany Bears hangs in the entertainment room. This was one of my series of Bear’s Paw variation quilts and is featured in my book, Traditional Quilts with a Twist. The Bear’s Paw blocks contain a variety of mini-blocks instead of the traditional large squares.

Studio tour

My apologies for the lack of a blog last week. The time is slipping away rapidly as I’m absorbed in getting our house ready to sell. Remodeling has been quite an education and I’ve had little time to spend in my quilting studio being creative and running my business. I love my studio and decided to give you a pictorial tour. I’m really going to miss it when house sells and I have to move. This has been my creative haven for over 13 years.

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I’m fortunate to have a magnificent sewing table custom made for my sewing machine with a big surface perfect for sewing large quilts and plenty of storage space underneath. There’s also a large cutting table. When I swivel my chair round from my machine, I’m at my desk and computer.

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The open fronted IKEA shelves are great for storing fabric and the double mirrored closet also houses fabric, thread and assorted supplies. The bookcase is full of inspiring quilting books and I’m constantly using my 72″ x 72″ work wall. I’m hoping that wherever I move, I’ll have the space for another set up such as this.